Modes D'Antan Pour Guitare - 1. Mode Hypodorien - Yvonne Desportes (1907-1993) (Modes Of Other Days for Guitar) - edition: Billaudot G.3377B (Paris, 1982)
see Notes and Legend below - tab by weed@wussu.com - 1 May 2019
MIDI: http://www.classtab.org/desportes_yvonne_modes_dantan_1_hypodorien.mid

standard tuning: E A D G B E time: 3/4 tempo: 80 bpm (quarter notes) mode: Hypodorien - Mode de la (Mode of A)

Andantino (at a moderate speed)

1 | . | . | . | . | . | . | . | . | . | . | . | . | . | . | . E|-0-3-7-5-2---|---0-3-2-----|-----0=======|-----0-3-----|-----0=======| B|-0=======--3-|-1-------3-0-|---1---------|---1-----3---|---1---------| G|-------------|-------------|-2-----------|-2-----------|-2-----------| D|-------------|-------------|---------0===|=============|=========0===| A|-------------|-------------|---------0===|=============|=========0===| E|-0===========|=============|=========3===|=============|=========3===|
p 1 4 4 1 3 1 4
C5___
6 | . | . | . | . | . | . | . | . | . | . | . | . | . | . | . E|-----0-3-7-3-|-0===========|-0---7-10-5---|-----0=======|-0---7-10-8-5-| B|---1---------|-------------|---8--------7-|-8-7-----0---|---8----------| G|-2-----------|-------------|-0=======-----|-------------|-0--------5===| D|=========----|-----2-------|--------------|-------------|--------------| A|=========----|-----2-------|--------------|---------7---|--------------| E|=========----|-----0-------|-8=======-----|-------------|-8========5===|
2 2 3 1 4 1 3 4 3 3 2 3 1 4 4
1 mf
______ c7_______________________C7__ c7_____________ C7_______
11 | . | . | . | . | . | . | . | . | . | . | . | . | . | . | . E|---5-7=======|-10-7-----10-7-|--------------|-10-7-10-7------|-------------| B|-8-------0---|-10---10-------|-10-7-7=======|-10========10-7-|-----7===----| G|-------------|-7=============|==========----|-7==============|-7-9---------| D|-------------|-0=============|==========9---|-0==============|-------------| A|---------7---|---------------|----------7---|----------------|-9=======11--| E|-------------|---------------|--------------|----------------|-7=======9---|
4 4 4 1 3 4 1 4 4 3
3 3 3 3 3 1

c7___________________ C2__________
16 | . | . | . | . | . | . | . | . | . | . | . | . | . | . | . E|-10-7-----10-7-|--------------|-12-8------7-10-|-5-2-------2-|-------------| B|-10===10-------|-10-7-7=======|-10===10-8------|-----3---3---|-5-3-5=======| G|-7=============|==========----|-9====----------|-------4-----|-------------| D|-0=============|==========0---|----------------|-4===========|---------4---| A|---------------|--------------|-0==============|-2===========|---------2---| E|---------------|--------------|----------------|-------------|-------------|
4 4 2 4 2 1 4 4 2 4 4 2 4 3
3 2 3 1
1 dim. Rit.

c2__________ c2__________
21 | . | . | . | . | . | . | . | . | . | . | . | . | . | . | . E|-------------|-5-2-5-2-5-2-|-3-2-0=======|-5-2-5-2-5-2-|-7-10-7=======| B|-------------|-3===========|-0=======----|-3===========|-8========----| G|-------------|-2===========|-------------|-2===========|-9========----| D|-------------|-------------|-------------|-------------|-0========0---| A|-2-------2---|-------------|-------------|-------------|--------------| E|-0-------0---|-0===========|-0=======0---|-0===========|--------------|
1 4 1 4 1
2 2
f p 3
a tempo

c2__________ C7___ C7__________________________ 26 | . | . | . | . | . | . | . | . | . | . | . | . | . | . | . E|-5-2-5-2-5-2-|-0-----------|-7-10-12-10------|-7-10-7=======|-7------------| B|-3===========|---3-0=======|-8===------12-10-|-7========----|-8-10-7-------| G|-2===========|-2=======----|-7===------------|--------------|-7======7-----| D|-------------|-------------|-----------------|--------------|----------9-7-| A|-------------|-------------|-----------------|--------------|--------------| E|-0===========|-0=======0---|-7===------------|-7========7---|-7============|
2 2 4 4 2 4 2 4 2 4 3
f 1 p f

31 | . | . | . | . | . | . | . | . | . | . | . | . | . | . | . E|-------------|-7------------|-------------|-0-3-7-5-2---|---0-3-2-----| B|-0---0=======|-8-10-7---0---|-0---0=======|-0=========3-|-1-------3-0-| G|---7---------|-7======7-----|---2---------|-------------|-------------| D|-6=======6---|------------7-|-0=======----|-------------|-------------| A|-7=======7---|----------7===|-------------|-------------|-------------| E|-------------|-7========5===|-3=======3---|-0===========|=============|
2 4 2 2 4 4 1 1 4 4 1 3 1 4 2
3 3 3 2 1 p
dim. Ral. a tempo

36 | . | . | . | . | . | . | . | . | . | . | . | . | . | . | . E|-----0=======|-----0-3-0---|-----3-7-----|-----7-10-7-10-|-14-10-14-10-14-10-|
B|---1---------|---1---------|---5-----8---|---8-----------|-0=================|
G|-2-----------|-2-----------|-5-----------|-9-------------|-------------------|
D|---------0---|-------------|-------------|---------------|-------------------|
A|---------0---|-------------|-------------|---------------|-------------------|
E|=========0---|-------------|-------------|---------------|-------------------|
2 1 4 3 4 1 1 2 3 2 1 4 1 4 4
cresc. ff

C2_______________ C2__
41 | . | . | . | . | . | . | . | . | . | . | . | . | . | . | . E|-2---2---2---|-2-----------|-------------|-------------|-12==========|| B|---3---3---3-|-3-3-0---0-3-|-0-----------|---------0---|-0===========|| G|-------------|-------0-----|---0-------2-|---------0---|-12==========|| D|-4===========|-------------|-2===2-0-4---|-2-0-2---0---|-------------|| A|-2===========|-------------|-0=======2===|---------0---|-------------|| E|-------------|-3===========|-------------|---------0---|-12==========||
2 2 2 1 4 4
3 3 > > > > > > > > > > > > > 3
Ral. 2

Notes and Legend
----------------
"Ces six petites pieces de guitare sont chacune ecrites dans un des six modes gregoriens. C'est Gregoire 1er, pape de 590 a 604, qui fut le createur des chants d'eglise unifies qui prirent le nom de chants gregoriens. Il reprit les anciens modes grecs qu'il adapta aux chants liturgiques. Il y a six modes principaux dits authentiques, bases sur une gamme ou serie. On peut les transposer, mais ils doivent conserver leur rapport de tons et demi-tons a partir de la tonique." - Yvonne Desportes
[These six small guitar pieces are each written in one of six Gregorian modes. Gregory 1st, pope from 590 to 604, created the unified church songs that took the name of Gregorian chants. He turned to the old Greek modes and adapted them to liturgical music. There are six main modes which are considered authentic, based on a range or series (of notes). They can be transposed, but they must maintain their ratio of tones and semi-tones from the tonic."]

Illustrations from sheet: http://www.classtab.org/desportes_modes_d'antan2.jpg
http://www.classtab.org/desportes_modes_d'antan3.jpg

left hand fingering below the tab -
1 - index finger
2 - middle finger
3 - ring finger
4 - little finger (pinkie)

=== - note held, length of note, duration

- (below the tab) crescendo - becoming gradually louder

c2 - part barre on the 2nd fret
C2 - barre on the 2nd fret
C5 - barre on the 5th fret
c7 - part barre on the 7th fret
C7 - barre on the 7th gret
cresc. - crescendo - becoming gradually louder
dim. - diminuendo - diminishing, gradually getting softer
f - forte - loud
ff - fortisimo - very loud
mf - mezzoforte - moderately loud
p - piano - soft
Ral. - Rallentando - slowing down and becoming softer
Rit. - rituendo - slowing down, suddenly slower
a tempo - return to the original tempo (after Ral. or Rit.)

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the latest version of this tab can be found at http://www.classtab.org

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