• TAB: Thea Musgrave - Postcards From Spain (Five Serenades) - 1. Cantaor

    From oniscoid@gmail.com@1:229/2 to All on Monday, September 04, 2017 00:11:35
    Postcards From Spain (To Michael Lorimer) - I Cantaor (Triana) - Thea Musgrave Five Serenades for solo guitar (2nd edition, Lorimer, Novello 120809, 1997) MIDI: http://www.classtab.org/musgrave_postcards_from_spain_1_cantaor.mid
    see Notes and Legend below the tab - tabbed by weed@wussu.com - 27 August 2017

    In a cafe in Triana, the section of Seville famous for its flamenco culture,
    a cantaor (flamenco singer) and his guitar accompanist sit erectly. "Strum-a-strum!" goes the guitarrista; the singer begins his tale; "strum!" interrupts; then on continues the song. - Michael Lorimer (editor)

    Tuning: EADGBE Key: - Time: 3/4, 2/4 Tempo: 84 bpm (quarter notes)

    Vigoroso (strong, vigorous, energetic)

    CIX > CII_______
    ^ v ^ > > >
    1 | . | . | . | . | . | . e|-9g9g9-----------------------|-----2---2-------6-------| B|-9g9g9-----------0-----------|-----2---2-------5-------| G|-9g9g9---------------5---5---|-5-----5-----------------| D|-9g9g9---10--10--10--7---6---|-4-----------------------| A|-9g9g9-----------------------|---2---------------------| E|-9g9g9-----------------------|-------------3-------2---|
    2 2 2 2 2 4 4
    rasq. 4 3 3 1 3 1
    f p < < < < < <

    CIX_ CVI_____________ CII_________
    arp. > > > arp. -
    3 | . | . | . | . | . | . | . | . | . e|-9-----------------------|-----0---0---------------|-2---2-----2---------0---|
    B|-9-----------------------|-----8---8---------------|-2---4p2---------7-------|
    G|-9-------6---6---6---6---|-6-----8---------0-------|-2-------5---3p2-------8-|
    D|-9---11------10--8---6---|-5-----------------------|-4-----------------6-----|
    A|-9-----------------------|---------------------0---|-4-----------------------|
    E|-9-----------------------|---0---------6-----------|-4-----------------------|
    4 4 3 2 4 3 4 4 4 2 1 4 2 4
    1 1 3
    rasq. 2
    f p < < < < < < f mf

    arp. CV____________ arp.
    6 | . | . | . | . | . | . | . e|-----5-----5-----5-------|-6-----0---------|-8------5-6-9------| B|-----7p5-------------7-6-|-5-------7h8-----|-10-7/8-------10p8-| G|-5-------8---6p5---------|-6---8---------0=|===----------------| D|-6-----------------8-----|-5-8---------11--|-8-----------------| A|-6-----------------------|-----------------|-------------------| E|-------------------------|-----------------|-------------------|
    1 4 4 2 4 3 2 4 2 3 1.1 4 2 1.1 3 4 2 3 1
    2 4
    2 3 1
    1
    sfz sfz sfz

    - cVI_________________
    9 | . | . | . | . | . e|-10--------------|-------------------------| B|-9---------------|-----6---6---6---6---6---| G|-10--10--10--10--|-10--6=======9=======8---| D|-9-----------10--|-----7=======------------| A|-------------9---|-------------------------| E|-----------------|-------------------------|
    4 3 2 4 4
    2 2
    3 1
    1 pochiss. rit.___ (very slightly slowing down)
    sfz p < < < < < < < f

    cI______________
    11 |-3-| |-3-| |-3-| |-3-| |-3-| |-3-| | . | . | . | . e|-2p1p0-------------------------------|-----------------|-----------------| B|-------2p1p0-------------------------|-----------------|-----------------| G|-------------3p2p0-------------------|-----------------|-----------------| D|-------------------2p1p0-------------|-----------------|-----------------| A|-------------------------2p1p0-------|-----1-----------|-4===============| E|-------------------------------2p1p0-|-1---2-------1---|-5===============|
    2 1 2 1 3 2 2 1 2 1 2 1 2 1
    poco rit. 2
    (a little slower)

    CIX_ cVI________ CIV
    arp. > > > arp. -
    14 | . | . | . | . | . | . | . | . | . e|-9-----------------------|-----6---6-------8-------|-9-----------------------|
    B|-9-------8---8---8---8---|-8---6---6-------8-------|-9-------10--10--10--10--|
    G|-9---12------11--9---8---|-6-----9-----------------|-9---14------12--10--9---|
    D|-9-----------------------|-------------0-----------|-9-----------------------|
    A|-9-----------------------|---7---------------------|-9-----------------------|
    E|-9-----------------------|---------------------6---|-9-----------------------|
    rasg. 4 1 1 1 3 3 2 4 4 4 1 1 1 3
    f p 4 2...2 3 1 rasg. 4 2 2
    a tempo (back to the original tempo) < < < < < < f p

    CVII_______ cVI_
    > > > arp. arp.
    17 | . | . | . | . | . | . | . | . | . e|-----7---7-------10-----|-9---0-----0--------0-----|-10----------------------|
    B|-9---7---7-------10-----|--------------------------|-9---6-----6---0---------|
    G|-7-----10---------------|-0-----8----------------0=|=====--8-7---5---10--8-7=|
    D|-------------0----------|---------11--10-8-----6---|-9-----------------7-----|
    A|---8--------------------|-6---------------<12>-----|-------------------------|
    E|---------------------8--|-6------------------------|-------------------------|
    3 4 4 4 1 4 3 1 4 4 2 4 3 2 1 4 1 3 2
    1 2 3 1 2
    1
    < < < < < < < < < < < f mf sfz

    arp. arp. arp.
    20 | . | . | . | . | . | . e|-0---------------|-0-----------------------|-11----------0---| B|-8---9p8---10----|-10----11p10----11-10----|-10--10--10--10--| G|=====----10--8p7-|-0-----------12-------12-|-11--------------| D|-6---------------|-11----------------------|-10----------8---| A|-----------------|-------------------------|-----------------| E|-----------------|-------------------------|-----------------|
    3 2 1 4 3 2 1 2 2 1 3 2 1 3 4 2
    1 3 2 1
    3
    1
    sfz sfz sfz p

    23 | . | . | . |-3-| |-3-| |-3-| |-3-| |-3-| |-3-| e|-------------0-----------|-6p4p0-------------------------------| B|-10--10--10--10--10--10--|-------6p4p0-------------------------| G|-----10------13-----<12>-|-------------4p3p0-------------------| D|-----11------------------|-------------------4p3p0-------------| A|-------------------------|-------------------------4p3p0-------| E|-------------------------|-------------------------------4p3p0-|
    2 2 2 1 3 1 3 1 2 1 2 1 2 1 2 1
    3 4
    1 < < < < < < < < f

    CIX
    arp. -
    25 | . | . | . | . | . | . | . e|-----------------|-----------------|-9-----------------------| B|-----------------|-----------------|-9-----------------------| G|-----------------|-----------------|-9-------0---0---0---0---| D|-----------------|-----------------|-9-----------------------| A|-0---4-------0---|-7===============|-9---10------9-----------| E|-----6-----------|-8===============|-9--------------<12>-11--|
    1 2 2 1 3
    3 3 f mf < < < < <
    poco rit. (a little slower) a tempo (back to the original tempo)

    CIX CIX
    arp. arp. p i p a p i p i
    - v ^
    28 | . | . | . | . | . | . | . e|-9-----------------------|-9-----------0=====------|-2-----------------------|
    B|-9-----------------------|-9-----------------------|-2-----------9=====------|
    G|-9-----------------------|-9-----------------------|-2-----9--8--------------|
    D|-9-------8---8---8---8---|-9-----12-11-------------|-1--10-------------------|
    A|-9---13------12--10--9---|-9--13-------------------|-0-----------------------|
    E|-9-----------------------|-9-----------------------|-------------------------|
    4 1 1 1 1 4 3 2 1 2
    4 3 2 3
    2
    f mf < < < < < f 1

    CVI__ CV________
    arp. ,
    31 | . | . | . | . | . | . e|-8p--6-5-8p--6-5-8-------|-------------4-------9---| B|-7=======5=======7-------|-----4-------0-------0---| G|---------6=======8-------|-0=======5=======10======| D|-6=======5=======--------|-----0-------4-------8---| A|-6=======--------0-------|-----4-------------------| E|-------------------------|-------------------------|
    2 4 3 4 2 3 2 3 2
    2 2 2 1 1 1
    3 mf < < < < < < < < < <

    >
    33 |-3-| |-3-| |-3-| |-3-| |-3-| |-3-| | . | . | . e|-8p7p0-------------------------------|-------------------------| B|-------8p7p0-------------------------|-------------------------| G|-------------8p7p0-------------------|-------------------------| D|-------------------8p7p0-------------|-------------------------| A|-------------------------8p7p0-------|-------------------------| E|-------------------------------8p7p0-|-4p3-1-4-3-1-4-3-1h4-3-1-|
    2 1 2 1 2 1 2 1 2 1 2 1 4 3 1
    f cresc.

    (Bright) (Mellow)
    arp.
    35 | . | . | . | . | . | . e|-0=======-=======-=======|-0=======-=======-=======| B|-0=======-=======-=======|-0=======-=======-=======| G|-0=======-=======-=======|-3=======-=======-=======| D|-0---8===-=======-=======|-5=======-=======8=======| A|-0=======-=======-=======|-0=======-=======-=======| E|-0=======-=======-=======|-0=======-=======-=======|
    ff 4 mf dim.
    rit.

    37 | . | . | . | . | . | . e|-------------------------|-------------------------|| B|-------------------------|-------------------------|| G|-------------------------|-------------------------|| D|=========8===============|=========8===============|| A|-------------------------|-------------------------|| E|-------------------------|-------------------------||


    Notes and Legend
    ----------------
    The performer of Postcards from Spain will find it impossible to sustain every note for its written value. Neverthless, it is always possible to communicate the composer's intention, and therefore the score is presented in this edition as Thea Musgrave wrote it, and as she hopes the listener will imagine it, rather
    than as a precise depiction of the literal sound that one performer might produce. The ears fo the listener, rather then the fingers of the performer, guide the fingering. This means that in the first serenade, Cantaor,
    for example, repeated notes are fingered on adjacent strings rather then on one string. If instead, the notes were simply played on one string, which would be easier for the performer, the sound might not be so interesting. Whilst this fingering is a model that pleases the composer and the editor, the score is presented asa the composer conceived it, anmd other fingerings are possible.
    - Michael Lorimer (editor)

    Suggested duration: 1 min 50 sec

    Comments and suggestions for improving the phrasing of the MIDI are welcome.

    measure 1 - the sheet shows a barre on the 10th fret for the first 3 chords (??)

    measure 29 - the upstroke (1st chord) is played with the index finger

    measure 31 - the sheet has the fingering of the last chord 234 (not 324) which
    would be correct if the chord was A Eb G C (rather than A Eb Gb C)

    left hand fingering below tab right hand fingering above tab
    1 - index finger p - thumb
    2 - middle finger i - index finger
    3 - ring finger m - middle finger
    4 - little finger a - ring finger

    === - note held, length of note, duration
    - (above the tab) accented, stressed
    ^ - downstroke - strum from the lowest note to the highest note
    v - upstroke - strum from the highest note to the lowest note
    / - slide note up
    - - tenuto - note held for at least its full length, or a little longer
    , - slight pause (breath mark)
    |-3-| - triplet - 3 notes played in the time of 2 notes
    arp. - arpeggiate - ripple upwards from the lowest note to the highest note
    g - grace note (ornament) - here played as an acciaccatura -
    extra note(s) played at the same time as, or just before the
    main note, then immediately released
    h - hammer-on
    p - pull-off
    rasq. - rasgueo or rasgueado (flamenco style strumming)
    <12> - natural (open) harmonic on the 12th fret
    cI - part barre on the 1st fret
    CII - barre on the 2nd fret
    cVI - part barre on the 6th fret
    CVI - barre on the 6th fret
    CVII - barre on the 7th fret
    CIX - barre on the 9th fret

    expressions (below the tab) -
    < < - crescendo, growing louder
    - decrescendo, growing softer
    cresc. - growing louder
    dim. - diminuendo - diminishing, gradually getting softer
    f - forte - loud
    mf - mezzoforte - moderately loud
    p - piano - soft
    rit. - ritenuto (or ritardando) - slowing down
    sfz - strongly accented, suddenly louder

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    see the latest version of this tab at http://www.classtab.org

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